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CERAMICS INTERNSHIP

 

You’ll work directly with the Ceramics Studio Manager, preparing for our annual Chili Bowl Fiesta fundraiser. During this mid-winter event, WSW warms up our local community by presenting over 900 handmade bowls, mugs, and tumblers for sale. You’ll work on a production scale, creating between 300 and 600 vessels for the event, depending on the studio’s need. After the Fiesta is over, you may also teach one of our month-long spring ceramics courses.

 

Responsibilities:

-Wheel-throwing and hand-building

-Glazing and surface design

-Loading and firing electric kilns

-Providing assistance to community members and volunteers in the studio

-Maintaining the ceramics studio and equipment

-Performing administrative duties relating to Chili Bowl, as necessary

 

Required:

-Wheel-throwing experience

-An interest in functional clay

 

All internships include a private room in WSW’s on-campus Anne Atwood House and a stipend of $300/month. Interns work 40 hours/week, generally Monday through Friday, 9:00-5:00, but the schedule may change to accommodate the Workshop’s programming. Outside working hours, and with respect to residents’ work, interns have unlimited studio access. Though the ceramics intern leaves before our group exhibition, she is still welcome to include her work in the show.

 

Application must include:

 

-A complete resume

-Three current letters of reference

-Up to ten images of recent work

-An image script, which should include the title, medium, dimension, and date of each image

 

Apply online by October 15th: http://bit.ly/1Ipv2Fk

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Advertising and stuff

Available to everyone: Robert Jacks & Printed Matter 

10 September - 24 October 2016


Printed Matter is pleased to announce Available to Everyone: Robert Jacks and Printed Matter, curated by Peter Anderson.

The exhibition presents two connected bodies of material: a survey of artists’ books by Australian painter, sculptor and bookmaker Robert Jacks (1942-2014), and an extensive selection of publications drawn from Jacks’ own collection, many of which were purchased from Printed Matter in the early years of the organization.

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