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RE: FOLLOW-ED (AFTER HOKUSAI)

Cabinet du Livre d'artiste in Rennes, France
Until 3rd December 2015

Edited and curated by Michalis Pichler and Tom Sowden, an exhibition of books by artists in tribute to Ed Ruscha, from the curators’ collections.


Featuring: 6 Decades Books, Steen Bach Christensen, Victoria Bianchetti,  Doro Boehme & Eric Baskauskas,  Jeffrey Brouws,  Corinne Carlson,  Julie Caves,  Cathy Davidson,  Claudia de la Torre,  Eric Doeringer,  Sue Doggett,  Jeff Eaton,  Francis Elliott,  Frank Eye,  Joel Fisher,  Stephen Fowler,  Thomas Galler,  Dejan Habicht,  Karen Henderson & Marla Hlady,  Mishka Henner,  Taro Hirano,  Hiroshige,  Katsushika Hokusai,  Sveinn Fannar Jóhannsson,  Easley Stephen Jones,  Hildegard Karnath,  Sowon Kwon,  Tanja Lazetic,  Silvio Lorusso & Sebastian Schmieg,  Helena Louro,  Michael Maranda,  Scott McCarney,  John McDowall,  Jean-Claude Moineau,  Dan Monick,  Jonathan Monk,  Simon Morris,  Bruce Nauman,  Heidi Neilson,  John O’Brian,  Performance Re-enactment Society & Tom Sowden,  Michalis Pichler,  Tadej Pogacar,  Susan Porteous,  Henri Rivière,  Allen Ruppersberg,  Ed Ruscha,  Joachim Schmid,  Jean-Frédéric Schnyder,  Ben Scragg,  Yann Sérandour,  Travis Shaffer,  Matthew Sleeth,  Tom Sowden,  Derek Sullivan,  Yoshikazu Suzuki,  Eric Tabuchi,  Kazuhide Takada,  Elisabeth Tonnard,  Louisa Van Leer,  John Waters,  Hermann Zschiegner, and many more…


More info and catalogue download at: http://www.incertain-sens.org

Université Rennes 2 - Campus Villejean
Place du recteur Henri Le Moal
CS 24307 - 35043 Rennes cedex
Bâtiment Ereve RDC , France

http://www.incertain-sens.org

 

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Available to everyone: Robert Jacks & Printed Matter 

10 September - 24 October 2016


Printed Matter is pleased to announce Available to Everyone: Robert Jacks and Printed Matter, curated by Peter Anderson.

The exhibition presents two connected bodies of material: a survey of artists’ books by Australian painter, sculptor and bookmaker Robert Jacks (1942-2014), and an extensive selection of publications drawn from Jacks’ own collection, many of which were purchased from Printed Matter in the early years of the organization.

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